MARITÉ ZALDÍVAR. De la serie Banderas, 2007
(capullos de algodón y fibra de palma..)
EXPOSICIÓN “PARAGUAY ESQUIVO”
Bettina Brizuela/ Fredi Casco/ Sara Hooper/ Carlo Spatuzza/ Ángel Yegros/ Marité Zaldívar
Centro Cultural Recoleta, Buenos Aires, Argentina
Del 12 de Octubre al 4 de Noviembre del 2007
MARITÉ ZALDÍVAR of today arises from a colonial process which is not yet regarded as finished. As far as the typical colonization of modern times, including that from Spain starting in the 16th century, it seems to have had common objectives, similar ruling structures and followed parallel historical processes. At the same time some special forms could be distinguished, owing less to the actions of the colonists than to the personality of those they tried to colonize. The colonial historical process can be categorized in different ways, precisely by the type of contact amongst two or more peoples and the resulting effects. Depending on the ideology used to consider them, historical processes and their results certainly acquire different meanings. On the one hand there was the colonist Åfs in different ways, precisely by the type of contact amongst two or more peoples and the resulting effects. Depending on the ideology used to consider them, historical processes and their results certainly acquire different meanings. On the one hand there was the colonistÅfs impr impression, with information and images at their disposal, which in turn were retranslated in accordance with their own system; and on the other stood the colonized societiesÅf viewpoint and imagery through which they saw and suffered the frequently imposed new way of life. The new authority not only affected the individualsÅf freedom, but it also extended to their linguistic, religious and economic systems to mention only some of the most fundamental aspects.nized societiesÅf viewpoint and imagery through which they saw and suffered the frequently imposed new way of life.
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PARAGUAY ESQUIVO, 2007
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